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超级震撼,基弗新作及细节

2018/12/27 15:23:09 来源:Acquired  
   
被浇满了铅的画布,斑驳的裂缝,厚重的色彩肆意的颜料飞洒,基弗快73岁了,仍是一块坚硬的滚动着的石头!


  被浇满了铅的画布,斑驳的裂缝,厚重的色彩肆意的颜料飞洒,基弗快73岁了,仍是一块坚硬的滚动着的石头!


  基弗的作品是由记忆沉淀的想法驱动的,自由粒子停止移动以形成紧凑的团簇——在作品中,而时间则消磨在其中。要理解这一点,或许也许我们应该记住的是,艺术家出生于1945年。战争留下的毁灭痕迹影响着基弗的职业生涯。



  基弗的日记中写道:“昨天倒了铅。在几幅你不想再看到的旧画作上。与以往不同,没有愤怒,没有绝望,你将这些画平放在地板上,然后将灼热的铅倒在上面。不再是由绝望驱使,因为你知道,总会有一个结果,失败也在计划之内。如果毁坏画作的行为是因为愤怒而非刻意计算而行,结果会有什么不同?铅流动方式会有什么不同?”


  基弗最新作品

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Geh·utete Landschaft, 2014-2017


  Oil, emulsion, acrylic, shellac, lead and metal on canvas on wood, 330 kgs


  280x380x47 cm (110,24x149,61x18,5 in)


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Snake in Paradise, 1991-2017


  Oil, emulsion, acrylic, shellac, lead, metal, plaster and gold leaf on canvas on wood, 410 kg


  190x280x42 cm (74,8x110,24x16,54 in)

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∧Anselm Kiefer.


  Snake in Paradise, 1991 – 2017.


  Oil, emulsion, acrylic, shellac, lead, metal, plaster and gold leaf on canvas and wood.


  190x280x42 cm.


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Engel der Geschichte, 2005-2017


  Oil, emulsion, acrylic, shellac, lead, metal, charcoal on canvas on wood, 1200 kgs


  267x650x70 cm (105,12x255,91x27,56 in)


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Kundry, 2015-2017


  Oil, emulsion, acrylic, shellac, lead and metal on canvas on wood, 625 kgs


  280x380x10 cm (110,24x149,61x3,94 in)


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Geist über den Wassern, 2015-2017


  Oil, emulsion, acrylic, shellac, lead, metal and gold leaf on canvas on wood, 390 kgs


  280x380x43 cm (110,24x149,61x16,93 in)

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Klingsors Garten, 2015-2017


  Oil, emulsion, acrylic, shellac, lead, gold leaf and metal on canvas on wood, 800 kgs


  280x380x50 cm (110,24x149,61x19,69 in)


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Sonnenfinsternis, 1994-2017


  Oil, emulsion, acrylic, shellac, lead and metal on canvas on wood, 400 kgs


  190x380x30 cm (74,8x149,61x11,81 in)


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 Gehäutete Landschaft, 2015-2017


  Oil, emulsion, acrylic, shellac, lead and metal on canvas on wood, 280 kgs


  190x330x55 cm (74,8x129,92x21,65 in)


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∧Anselm Kiefer,


  Geh·utete Landschaft, 2015-2017,


  Oil, emulsion, acrylic, shellac, lead and metal on canvas on wood, 280 kgs,


  190x330x55 cm,


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Für Andrea Emo, 2015-2017


  Oil, emulsion, acrylic, shellac, lead, metal and clay on canvas on wood, 210 kgs


  280x380x34 cm (110,24x149,61x13,39 in)


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Am Grunde der Moldau, da wandern die Steine, 2008-2017


  Oil, emulsion, acrylic, shellac, lead, metal and stone on canvas on wood, 420 kgs


  190x380x47 cm (74,8x149,61x18,5 in)


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B·se Blumen, 1987-2017


  Oil, emulsion, acrylic, shellac, lead and metal on canvas on wood, 110 kgs


  190x140x9 cm (74,8x55,12x3,54 in)


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Kranke Kunst, 1985-2017


  Oil, emulsion, acrylic, shellac, lead, metal, gold leaf and sediments of electrolysis on canvas on wood, 300 kgs


  280x190x40 cm (110,24x74,8x15,75 in)


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Johannisnacht, 2016


  Glass, metal, wood, burlap, clay, lead, asphalt, resin ferns and silver leaf


  370x280x170 cm (145,67x110,24x66,93 in


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Brünhildes Fels, 2010-2016


  Glass, metal, lead, polystyrene, stones, asphalt, acrylic, cardboard and gold leaf


  337x200x200 cm (132.68x78.74x78.64 in)


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Die Argonauten, 2017


  Glass, metal, wood, burlap, clay, lead, fabric and gold leaf


  292x570x230 cm (114,96x224,41x90,55 in)


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Die Argonauten, 2017 (detail)


  Glass, metal, wood, burlap, clay, lead, fabric and gold leaf


  292x570x230 cm (114,96x224,41x90,55 in)


  局部细节


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  基弗:“这一厚厚的铅层不可能从画布上脱落,颜料未干之时,如伤口化脓从滚烫的铅中溢出。几年前所作的画上,田地的小麦秆在凝固的铅层中看起来就像被烧焦的残余物 – 所有这些让我想起了波德莱尔的诗歌。”


  (编辑:李思)


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